#Analog efex pro tutorial update
#Analog efex pro tutorial manual

The control point masking has been updated to DxO’s latest version, with control over the Luminance and Chrominance sensitivity.

#Analog efex pro tutorial manual

What version 3 achieves, though, is to bring the manual filters and combinations to the front instead of hiding them behind these instant fixes. It doesn’t just replicate lofty, arcane processes from the past, but novelty cameras, cheap lenses and lo-fi accessories. Having said that, Analog Efex Pro’s rivals can be used as standalone programs, some have their own photo browsing/organising tools and some even offer non-destructive editing.Īnalog Efex Pro organises its presets into a range of categories that give some indication as to it scope, including Classic Camera, Black and White, Colour Cast, Motion, Wet Plate, Subtle Bokeh, Double Exposure, Toy Camera, Vintage Camera and Multi-lens. There are rival tools which are aimed at a similar audience, such as Skylum Luminar, ON1 Photo RAW 2022 and in particular Exposure X7, but they don’t offer Analog Efex Pro’s depth, complexity and potential. These can range from relatively simple adjustments to tone, contrast and detail extraction, to elaborate vintage effects using simulated wet plate emulsions, toning, digital bokeh, light leaks and scratches.Īs with the other Nik Collection plug-ins, once you’ve created a ‘look’ you like, you can save it as a preset and apply it to other images with a single click. You might not like all of the presets, but with the power and scope available, you’ve no excuse for not creating some wonderful looks of your own. The range of effects you can achieve is and always was spectacular. While the interface and control point features have been brought right up to date in Analog Efex Pro 3, the filters themselves have not changed – and that hardly matters. Quality of results Here’s Analog Efex Pro’s multiple exposure filter – just one of many that offer retro looks that go further (and faster!) than it’s more sober-minded rivals. You’ll almost certainly need to move control points around from image to image, but it could still be useful to have pre-configured control points automatically added with presets. That’s useful enough in itself, but on top of that you can also now save control points in presets. Analog Efex Pro 3 now uses DxO’s latest control point enhancements, so that you can fine tune the masking of your local adjustments using Luminance and Chrominance sliders. They are still there, but instead DxO leads with the filters themselves, part of the original ‘Camera Kit’ mode but now brought to the fore, which is what most more experienced editors will want to work with.

#Analog efex pro tutorial update

The filters, tools and presets themselves are largely the same, but what DxO has done is radically update the user interface to bring it in line with the other Nik plug-ins and also de-clutter Google’s original ‘camera’ categories. If you don’t want the fuss and you’re happy with regular ‘destructive’ editing, you can still work with regular JPEG and TIFF images. It means working with some pretty large double-size TIFF files, but they contain both the original image, the edited version and the Analog Efex Pro editing instructions, so you can pick up where you left off and re-edit your images without having to start again. Until the release of Nik Collection 5, it really had any significant changes since DxO took over the Nik Collection, although with Nik Collection 3 it did benefit from DxO’s new non-destructive workflow using the ‘multipage’ TIFF format. You can select a preset look and stop there, select a preset and then modify its adjustments, or start from a blank canvas and choose your own filters and effects. It follows the same principle as the rest by offering a selection of preset image effects which are constructed using individual components like film effects, borders, vignettes and more. And, if you’re into retro effects, it’s perhaps the most interesting in the whole Nik Collection. Analog Efex Pro was the only Nik Collection plug-in added under Google’s ownership.